Linus
Keeping my promise of writing more about Tori Amos, my Muse, here I am today with what is perhaps my favorite album of hers: from the choirgirl hotel, a 1998 release. I still vividly remember putting it for the first time on my CD player at close to maximum volume and let its many wonders enrapture me like very few have done since.

Musically, it was a quantum leap for Tori, what with her previous album - Boys for Pele - being an almost exclusively acoustic affair, complete with harpsichords and all. This time around, Tori decided to brew a very special kind of aural magic, lending her classical piano to the drum beat and the electronica sounds. The end result still sounds today as fresh as it came out and as adventurous. Her voice was also able to reach such emotional highs that it drove me to tears in the simple space of a chord change. I clearly remember feeling dizzy for days with the whole experience and this is something that has only happened to me once. What a gift, then. My humble thanks go over to you right now, Ms Amos.

Listen to Liquid Diamonds and let yourself go.


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